Books

  • Books:
  • Carnivorous
  • Blood Horses,
  • Beneath The Ice,
  • Snakeskin Stilettos,
  • The Horse's Nest,
  • Miracle Fruit,
  • Selected Poems,
  • The Goose Tree

About Me

My photo
Poet, creative writing facilitator, editor. Experienced mentor for those working towards a first collection. My publishers are Lagan Press, Belfast and Liberties Press, Dublin, who published my Selected Poems in 2012, The Goose Tree in June 2014. Blood Horses was published in 2018 from Caesura Press www.caesurapress.co.uk and a new collection, Carnivorous was published from Doire Press Spring 2019 www.doirepress.com Awarded an Arts Council of NI Major Artist Award in 2019

Sunday, 28 February 2016

from the window


I'm so lucky to have a view of fields and trees from my kitchen window and I love to sit at the table and just observe. Often what I see seeps into my psyche.


Prey

This summer past, day after day, I watched the buzzard
rise from her stand of trees to hunt; watched her describe
her wide effortless circles, as a wheel set in motion, turns.

This autumn night she has gyred silently above my sleep
so that now at four a.m., I lie awake beneath her dream
and the small, secretive animal of self, trembles.

 

Thursday, 18 February 2016

For the day that's in it

There was a taste of Spring in the air today and I was thinking about my mother, Nessa and her sister Muriel, now also gone. The daffodils are starting to bloom and it reminded me of these two poems.

The first I wrote when my mother was going through the hell of late dementia and the second is more recent. They are the same daffodils in both poems.


Daffodils

 

The Vertues: The roots stamped with hony, helpeth them that are burned with fire. They have also such wonderful qualities in drying, that they consound and glew together very great wounds.*

Gerard’s Herbal

 

1

I thought it was a fool’s errand, thought

we’d never find the place,

my mother trying to navigate

with only a vague address to go by –

a farm somewhere outside Millisle.

My children bored, fighting in the back seat,

my nerves on edge, my hands too tight

on the steering wheel, stress levels high.

 

But we got there, loaded sackfuls of bulbs

into the car’s boot, and paid the man.

 

For weeks afterwards, I’d look out the window

and see my mother on her knees, digging,

planting daffodils behind hedges, among trees.

 

2

My mother has descended into hell

(these biblical allusions haunt me),

and daffodils are the only colour in this Easter,

yellow incongruities across the dull fields,

painfully there, like the resurrection of love.

 

I cut them against despair, bring

huge bundles of them into the house,

beacons burning in vases, on windowsills.



 
 
 
 
 
Spring

 

It’s trespass time.

I’ll take my scissors

across the fields

to where my mother

planted her daffodils.

 

It’s not really stealing is it?

Anyway I feel no guilt,

there are so many drifts

a few dozen blossoms

won’t be missed.

 

 


Sunday, 13 December 2015

Crazy Knot

I'm hoping to write a series of pieces about my identity as a Northern Irish person and poet - this is the first of them, sparked by a recent visit to Dublin.


I was pleased to be invited to read at this year’s Dublin Book Festival and after a lovely event with a warm and receptive audience, I went for some food with my husband and then back to attend the launch of the Windharp, an anthology charting the history of Ireland through poetry since 1916, edited by poetry commentator Niall MacMonagle. It was a great reading, with poets such as Paula Meehan and Moya Cannon reading both some of their own work and the work of others, from Yeats, Easter 1916 to a poem about a post-crash ‘ghost estate’ and Paula’s wonderful The Statue of the Virgin at Granard Speaks. However as the evening went on, I found myself becoming more and more aware that this did not feel like my history or my life. The cultural references were not mine. I was in a foreign country. The next day, as we walked around Dublin, there was a sense of the whole city’s tourist machine gearing up for the centenary next year of the Easter Rising.

I grew up in a Presbyterian family in Northern Ireland through the worst years of the ‘troubles’. It sometimes feels to me as if my history has been made up of nothing but grim news flashes, bombs, shootings, horror and despair. This is what we have inherited, here in the North, and we are still struggling to find a way through to the future. Even now, sectarian gangs hold huge swathes of people here to ransom, fattening on the communities’ fears. In a recent article by Glenn Patterson, he stated that in the twelve months to February 2015, there were 347 incidents where bomb disposal experts were called out. This is our peace. Fear and pain is in the fabric of our society, politicians rely on it. It is difficult for me to regard Pearse without also seeing the shadows he left behind, that we’ve had to sleep with for forty years. I feel very far away from notions of Romantic Ireland and the Celtic Tiger neither boomed nor busted in my neck of the woods.

I have struggled to find a sense of my own identity in Northern Ireland. In the early 90’s, when I helped to found the Creative Writers’ Network, it was at least in part to explore the idea of an alternative ‘Ulster Voice’. At the time another poet was so vehemently opposed to the very idea of that voice, that she said that the word ‘Ulster’ made her feel physically sick.

I have no time for hatred, guns and flags, for narrow-mindedness, or that mind-set that seems so prevalent here and that will always and forever argue the opposite from the ‘other side’. I have grown into a sense of myself as being Northern Irish, not Orange and not Green; not one thing or the other. It continues to feel as if there isn’t a lot of room for people like me in the North; when the chips are down and the votes counted, our society still falls into its tribal lines.

So who am I? Though I’m not defined by the Battle of the Boyne neither am I by the Easter Rising; neither the burning bush or the sacred heart; not the sash, nor the shamrock – or England’s red rose. To quote a great Ulster poet, John Hewitt, ‘Time and this island tied a crazy knot.’

 

Tuesday, 20 October 2015

Keeping Busy

It has been a busy year for me with readings and workshops. I love having these opportunities to connect through poetry, so I'm looking forward to facilitating a workshop as part of the Irish Writers Centre Masterclass series on 28th October http://irishwriterscentre.ie/products/the-poetry-masterclass-series

Also really delighted to be appearing at Dublin Book Festival in some great company on November 14 in Smock Alley Theatre, so get booking: http://bit.ly/1kmiFod

And I've been speaking to Headstuff about my latest collection of poetry 'The Goose Tree': http://www.libertiespress.com/shop/the-goose-tree
Thanks to Alvy Carragher for the opportunity and the interesting questions.


Thursday, 15 October 2015

Elementary

This is the second Beautiful Dragons project with which I've been involved. The first was 'Heavenly Bodies' where 88 poets wrote a poem each to represent each of the 88 constellations. My constellation was Triangulum and the eventual poem was A Dream of Three.
In this new anthology poets were invited to pick an element from the periodic table and I chose Silica.

Dreamt up, organised, edited and masterminded by the wonderful Rebecca Jane Irvine the projects are not only great fun but also a challenge and I love being involved. The launch of the new book will be in Manchester on the 27th November and the book will be available at the link below, where you can also see a picture of the lovely production.



http://www.beautiful-dragons.com/Beautiful_Dragons/My_Dear_Watson.html

Friday, 28 August 2015

Dis-Ease moves to Bangor

As part of Aspects Literary Festival, the Dis-Ease exhibition opens on Wednesday 2nd September in Sync Space, Dufferin Avenue. Opening at 6.00 pm and a short reading at 7.00pm.


Friday, 22 May 2015

Dis-Ease


Very pleased that the exhibition of Dis-Ease is part of the Belfast Book Festival. The result of my collaboration with photographic artist Victoria J Dean, the exhibition consists of a series of images combined with poems or extracts from poems. It opens on Monday 8th June at 7.45 - everyone welcome.
 
 
 
Absorbed

 

I’d take you back into myself,

every cell, each chromosome.

 

I’d have you back, before birth,

before conception, all

 

your future still ahead. I’d hold

you as an imagined thing, safe.

Wednesday, 4 March 2015

Irrevocable Things

I was fortunate enough to recently have a poem win the North West Words Poetry Competition. Here it is - for anyone who would like to read it.
It is also included in the Spring edition of the North West Words on-line magazine






Irrevocable Things



We lead him to the chosen spot.
A bright day, without clouds,
autumn sun still holding its heat.
He trusts us; we’ve never
given him reason not to trust us.

The sky blue drug goes in,
we see him feel it hit
and then we watch helpless

the violence of his falling and terrible
tumbling over himself, his desperate
lurching refusal to stay down though
unable to stay up; it goes on forever,
until he’s prone at last and Claire
puts her hand over his eye and
he gives in to the shuddering darkness.
A bullet loudly, thankfully, finishes it.


 It has dragged the heart from me;
I want to cry wait horse, wait,
come back,
we’ll do it better, it was a kindness
that we meant.


 All the regret for every hurt I’ve ever caused,
sadness for everything I’ve ever lost,
is pouring through this rent, that wound,
his drawn back lips, his emptied eyes.